The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. The doctor himself was a broad-shouldered, bullet-headed man, clean shaven, with close-cropped, bristly hair. He had curiously square hands, with short, squat fingers. He had been head surgeon in one of the Paris hospitals, and had been assigned his present post because of his marvellous quickness with the knife. The hospital was the nearest to a hill of great strategical importance, and the fighting in the neighbourhood was almost continuous. Often a single ambulance would bring in three or four cases, each one demanding instant attention. Dr. Poujoulet, with his hairy arms bare to the shoulder, would polish them off one after another, with hardly a moment’s rest between, not allowing time even for the washing of the table. Joan would have to summon all her nerve to keep herself from collapsing. At times the need for haste was such that it was impossible to wait for the anaesthetic to take effect. The one redeeming feature was the extraordinary heroism of the men, though occasionally there was nothing for it but to call in the orderlies to hold some poor fellow down, and to deafen one’s ears.!

“Let me think of you,” she said, “as taking my place, pushing the outposts a little further on.” Mud and dirt! Dirty faces, dirty hands, dirty clothes, dirty food, dirty beds; dirty interiors, from which there was never time to wash the mud; dirty linen hanging up to dry, beneath which dirty children played, while dirty women scolded. Filth and desolation all around. Shattered farmsteads half buried in the mud; shattered gardens trampled into mud. A weary land of foulness, breeding foulness; tangled wire the only harvest of the fields; mile after mile of gaping holes, filled with muddy water; stinking carcases of dead horses; birds of prey clinging to broken fences, flapping their great wings.

The conductor seemed impatient. Joan sprang upon the step and waved her hand. Joan’s prayers that night, to the accompaniment of Mrs. Munday’s sobs, had a hopeless air of unreality about them. Mrs. Munday’s kiss was cold. “What on earth induced Helen to bring that poor old Dutch doll along with her?” demanded Flossie. “The woman never opened her mouth all the time. Did she tell you?”